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DOCTOR WHO SERIES ONE
SERIES ONE HOME - ABOUT THE SHOW
EPISODE GUIDE
DOCTOR WHO CONFIDENTIAL
PROMOTIONAL TV TRAILERS
CAST BIOGRAPHIES
MARCH-JUNE 2005
(aka DOCTOR WHO SEASON 27)
EPISODE GUIDE
SERIES 1 | 2 | 3 | 4 | 2009/10 SPECIALS
SERIES 5 | 6 | 7 | 2013 SPECIALS
THE PARTING OF THE WAYS concludes DOCTOR WHO SERIES ONE with Christopher Eccleston
13 - THE PARTING OF THE WAYS (Episode photos below)
 
"...do you know what they call me in the ancient legends
of the Dalek homeworld? The Oncoming Storm.
You might have removed all your emotions but deep
within your DNA there is a little spark left.
That's fear..."

PLOTLINE

If Autons, Gelth and the Slitheen family weren't enough for both Earth and the Doctor to deal with, he has to cope with the ultimate invasion of Earth.

How will Rose be able to help him, and her own planet?

However, all good things come to an end.

EPISODE THIRTEEN REVIEW Spoilers ahead

"Over the years, the box will be buried and the world will move on."

Short of having Michael Grade turn out to be the Emperor Dalek (which he was , in a way), how could RTD deliver a convincing punch line to this 13-episode shaggy dog story?

Given the generally high quality of the series, he set one hell of a benchmark for himself from the outset. Still, one step in the right direction would have been to actually depict the Dalek attack on Earth. Now that would have been nice. And, yes, we sort-of saw an alien invasion or two earlier in the series but this is the frickin' Daleks , how in the name of all that's Nation could they NOT at least show some Dalek space ships blasting away at a few familiar landmarks and feature some of the little tin fiends trundling around London shooting up the place? And the ending (where the Daleks confront the Doctor as the lone survivor on the space station) is a study in a missed opportunity made worse by a bottom-of-the-barrel-scraping plot twist of the 'with-one-bound-he-was-free' variety.

This episode is not dull but, boy, is it rushed. There is a lot of plot in this story and I felt that the characters got lost in the action; a regular criticism of bog standard genre fiction writing which I never thought could be leveled at a writer the calibre of RTD. Given that this is from a writer of his calibre , this episode nevertheless has several great moments. When the Doctor and Lynda part for the last time, they almost kiss; and Jack's parting kiss (smack on the Doctors mouth) is laugh-out-loud provocative. And is RTD using life in the TARDIS as a metaphor for fame? Remember Rose's conversation with her mum and Mickey in the café?

Given the gripping cliffhanger offered by BAD WOLF , I groaned when the Doctor saved Rose without too much effort in the first five minutes, although the rescue starts promisingly with the TARDIS materialising around Rose and her guard. The barmy Emperor Dalek-with-a-God-complex is a fab visual, of course, and his revelation that the Daleks were harvesting human genetic material to create a new race of Daleks was a great plot twist (the Daleks were almost entirely extinct following the Time War - apart from the chap we met in DALEK and, err, the Emperor on display here -- so their return is not as bad a cheat as I at first thought). But given that these hybrid Daleks are insane (they are not just obedient, they worship the Emperor), I thought they were pretty efficient loonies (controlling the Earth and building an entire fleet for the final take-over).

Anyway, Rose, the Doctor and Jack leg it back to the space station which is where mankind's' last stand (sort-of) will take place. Sort-of in as much as the Doctor reminds us that there are human colonies across the galaxy so we're not looking at the extinction of mankind; so bang goes that level of tension; this is not the winner-take-all, high stakes game it should be. We never see the Earth below the space station at ground level . What should have been the most visually breathtaking set piece of the series, turns into a weak melodrama lacking the emotional resonance of FATHER'S DAY or the sustained spectacle of ALIENS OF LONDON , with the Doctor in the future facing off against the Emperor and confronting his personal demons in the process -- can he live up to his Dalek nick name, "The Oncoming Storm"? (Nope, but I'll come to that misstep shortly) -- and Rose trapped in the past talking things over with her mum (Camille Coduri is just plain lovable here, presenting us with a naïve but basically decent human being and Billie Piper impresses once again as a vulnerable girl with a good heart, just like Tegan, but Noel Clarke is not given enough to do or say here).

The Doctors big moment comes when the Daleks, having secured the station after slaughtering everyone aboard (Jack's death is a shocker and Lynda's is chilling) and taken the Earth, confront the Doctor as he prepares to unleash the ultimate weapon, the Delta Wave; only to lose his nerve because it is so destructive and could wipe out all the human beings on the planet below.

This baffled me because the Doctor had already agreed with Jack that dying as a human being was better than living as a Dalek. I do not see this as a moment to be compared to the Baker moment in GENESIS (OF THE DALEKS) when he has a crisis of conscience simply because he is considering cold-blooded genocide (wiping out an entire species because of what they will do in the future). Eccleston's crisis here is very different (it has already been established early in the series that this Doctor has no problem with killing Daleks en masse): here, he is apparently worried about human life and does not want to be responsible for pushing the button that wipes them out. Fair enough. But it had already been made clear that the people of Earth were going to be used to create a new race of Daleks and that this would be a fate worse than death.

What did the Doctor spare them for?

Meanwhile, back in the 21 st century, Rose got a gander at the heart of the TARDIS and flew back (forward?) to the station in time to rescue the Doctor without breaking sweat because she had now acquired god-like powers which meant she could 'wish' the baddies away and brought the dead back to life. Hurrah! Or not. Now this was a major plot cheat: the Doctor is in an impossibly tight spot and so why not give Rose superpowers to get him out of it?

For me, the injury that compounded the insult was the Doctor's regeneration into Casanova. JNT would have approved.

Perhaps, Vanessa Feltz will replace Billie this Christmas.

3/5 - it would have been 2/5 but the space fleet visuals saved it...

.

Things to look out for...

DOCTOR WHO FOLKLORE Pending

DOCTOR WHO FOLKLORE Pending

CONTINUTY We're still checking. Yes, still.

 
THE PARTING OF THE WAYS - The Doctor gives
THE PARTING OF THE WAYS - The Dalek Emperor redesigned since THE EVIL OF THE DALEKS

THE PARTING OF THE WAYS - Lynda is confronted by Daleks. Oh, dear!
THE PARTING OF THE WAYS - Writer Russell T Davies continues to ram home sexuality down the throat of viewers
THE PARTING OF THE WAYS - Rose Tyler looks into the TARDIS's Time Vortex
THE PARTING OF THE WAYS - The Daleks are exterminated - by whom?
THE PARTING OF THE WAYS - The Doctor saves Rose - with a kiss. A lot of that going on!
THE PARTING OF THE WAYS - Is this the skin complaint Eccleston quit the role over?
THE PARTING OF THE WAYS - The Doctor regenerates - again!
THE PARTING OF THE WAYS - The Doctor regenerated



Review - SIMON CUNNINGTON
EOH RATING

Rated 5/5

CAST
DOCTOR WHO
Christopher Eccleston
ROSE TYLER
Billie Piper
RODERICK
Paterson Joseph
CAPTAIN JACK HARKNESS
John Barrowman
DALEK EMPEROR and THE DALEKS
Nicholas Briggs
JACKIE TYLER
Camille Coduri
MICKEY SMITH
Noel Clarke
STROOD
Jamie Bradley
CROSBIE
Abi Eniola
TBC
Kate Loustau
TBC
Dominic Burges
TBC
Karren Winchester
TBC
Jenna Russell
MALE PROGRAMMER
  Jo Stone-Fewings
FEMALE PROG.
  Nisha Nayer
LYNDA MOSS
  Jo Joyner
CONTROLLER
  Martha Cope
SECURITY GUARD
  Sam Callis
   
and introducing
   
DOCTOR WHO
  David Tennant
Daleks originally created by
TERRY NATION
 
PRODUCTION CREW
1st ASSISTANT DIRECTOR
George Gerwitz
2nd ASSISTANT DIRECTOR
Steffan Morris
3rd ASSISTANT DIRECTOR
Dafydd Rhys Parry
LOCATION MANAGER
Clive Evans
PROD.
CO-ORDINATOR
Dathyl Evans
PROD. ACCOUNTANTS
Debi Griffiths
Kath Blackman
CONTINUITY
Sian Prosser
SCRIPT EDITOR
Helen Raynor
Elwen Rowlands
CHOREGRAHPER
Ailsa Aliena-Bark
CAMERA OPERATOR
Mike Costello
Martin Stephens
FOCUS PULLERS
Steve Lawes
Mark Isaac
GRIP
John Robinson
SOUND RECORDIST
Ian Richardson
BOOM OPERATOR
  Damian Richardson
GAFFER
  Mark Hutchings
BEST BOY
  Peter Chester
STUNT
CO-ORDINATOR
  Rod Woodruff
PROD. BUYER
  Catherine Samuel
SET DECORATOR
  Peter Walpole
SUPERVISING ART DIRECTOR
  Stephen Nicholas
STAND-BY ART DIRECTOR
  Julian Luxton
PROPERTY MASTER
  Patrick Begley
CONSTRUCTION MANAGER
  Andy Smith
ASSISTANT COSTUME DESIGNER
  Yolanda Pearl-Smith
MAKE-UP SUPERVISOR
  Linda Davie
MAKE-UP ARTIST
  Sarah Wilson
CASTING ASSOCIATE
  Kirtsy Robertson
POST PRODUCTION SUPERVISOR
  Marie Brown
ON LINE EDITOR
  Matthew Clarke
COLOURIST
  Kairan Beers
2D VFX ARTISTS
  Simon C Holden
David Bowman
Sara Bennett
Alberto Montanes
Jennifer Herbert
3D VFX ARTISTS
 

Andy Howell
Chris Tucker
Jean-Claude Dagnara
Mark Wallman
Paul Burton
Chris Potts
Porl Parrot

DIGITAL MATT PAINTER
  Alex Fort
DUBBING MIXER
  Tim Rickettts
DIALOGUE EDITOR
  Paul McFadden
SOUND FX EDITOR
  Paul Jefferies
BRAND MANAGER
  ian Grutchfield
BUSINESS MANAGER
  Richard Pugsley
CONCEPT ARTISTS
  Bryan Hitch
CASTING DIRECTOR
  Andy Pryor CDG
PRODUCTION MANAGER
  Tracie Simpson
PRODUCTION ACCOUNTANT
  Endaf Emyr Williams
COSTUME DESIGNER
  Lucinda Wright
MAKE-UP DESIGNER
  Davy Jones
VISUAL EFFECTS
  THE MILL
VISUAL FX PRODUCER
  Will Cohen
VISUAL FX SUPERVISOR
  Dave Houghton
SPECIAL EFFECTS
  ANY EFFECTS
PROSTHETICS
  Millennium Effects
PRODUCTION DESIGNER
  Edward Thomas
EDITOR
  Mike Jones
DIRECTOR OF PHOTOGRAPHY
  Ernie Vincze BSC
ASSOCIATE PRODUCER
  Helen Vallis
SPECIAL MAKE-UP
  Neill Gorton
MODELS AND MINATURES
  Mike Tucker
INCIDENTAL MUSIC
  Murray Gold
PRODUCER
  Phil Collinson
EXECUTIVE PRODUCERS
  Mal Young
Julie Gardner
Russell T Davies
DIRECTOR
  Joe Ahearne
  Produced by
BBC WALES
WRITER
  Russell T Davies
     
INFORMATION
BROADCAST DATE
18 June 2005
(BBC1 19:00-19:45)
 
REPEATED DATE
  19 June 2005
(BBC3 19:00-19:45)
     
FIRST RUN UK RATINGS (millions)
Unofficial: 6.1 million
Official BARB RATING: 6.91
Top 100 rating 17th
DVD RELEASE
12 September 2005 (as part of Volume 4 boxset)

 

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