UNIT is called in after a miner from the Welsh village of Llanfairfach is
found dead, his skin glowing bright green. Jo joins forces with a local environmental
group, led by Professor Clifford Jones, while the Doctor investigates the nearby
plant of a company called Global Chemicals.
They discover that the mine workings are full of giant maggots and green slime
- both lethal to touch - that have been produced by chemical waste pumped from
the Global plant.
Stevens, the director of Global, has been taken over by the BOSS - Bimorphic
Organisational Systems Supervisor - a computer with a will of its own.
COMMENT
What would happen
if THE GREEN DEATH were added to the BBCtv schedule today?
Quite.
The
most recent repeats were basically a flawed attempt on BBC2. The two, SPEARHEAD
FROM SPACE and THE SILURIANS were not prime examples
of ‘colour’ Pertwee, and, enviably, failed to draw suitably respectable
ratings for continuation. However, move forward a season (or two), then the ‘repeats
season’ may have been more successful.
Being
part of the tenth DOCTOR WHO season (oh, how we will miss the
delineation of ‘season’, now that ‘series’ has been adopted
by the New Series), THE GREEN DEATH is perfect telly.
Science
fantasy, contemporary Earth accepts environmental challenges, love and loss,
fights & explosions and Police Box time/space machine (isn’t that the
brief set by the 2005 New Series Producers?).
However, THE
GREEN DEATH is singularly unique (if grammatically it can be and the
same) for pre-dating the US comedy, FRIENDS, for being labeled
as “…the one with…”. No answers on a postcard, please.
Viewing
the story today after a number of years, the reality that this is more than just “…the
one with…”, with many small (but key) scenes being rediscovered (The
Doctor returning just in time to answer the telephone, the suicide at Global
Chemicals, and the drive off into the sunset). A DOCTOR WHO that
was thoroughly enjoyable to re-re-watch, and with the extras more so.
Viewing
any DOCTOR WHO re-release with the commentary ‘on’ is
essential. Here the balance of technical input and frivolous badinage is consummate
from Manning, Barry Letts and Terrance Dicks (the latter two should have been ‘consultants’ on
the 2005 New Series).
Manning
exorcises that she constantly ribbed Pertwee into thinking that he was getting
a larger and larger bald patch. In fact, there was not receding hair but this
made him wary and him “proficient with the Carmen Rollers”.
Dicks
laments that “the 25 minute episodic drama has all but gone. Dramas
are all 50 minutes”. A prophetic statement or one of doom?
The
spoof schlockumentary, GLOBAL CONSPIRACY?, written & performed
by confessed WHOlic, Mark Gatiss (guess the 2005 New Series
episode he’ll be acting in and win…nothing, due the certainty that
it will happen) is very good in both content and technical competency. This is
expected if Gatiss has his hand it; a perfectionist. However, why oh why did
they print a photograph of Gatiss’ alter ego, Terry Scanlon in the DVD’s
sleeve I will never know.
Interviews
with writer, Robert Sloman (conceding that both maggots and spiders are two of
his worst nightmares, and so, cathartically, he included them in the two DOCTOR
WHO stories he wrote) and actor, Stuart Bevan (concerned that his off-screen
relationship would be detrimental to his acceptance on the show) were standard
fare if overly long.
Will
Colin Mapson’s demonstration that we all can make one, force stores to
increase stocks of foam, rubber bands, cling film and rubber-solution glue? However,
a DOCTOR WHO equivalent of the Delia Smith-effect seems a little
unlikely. This visual effects DVD extra treat is winner, and should be employed
by the DVD compilers for another release. Think, K-9’s innards stripped
bare and probed by Matt Irvine.
One
aspect of DVD extras that is hardly mentioned are the production Subtitles. Well
researched, appropriate, useful and often revealing. Essential content.
With
only FRONTIER IN SPACE (the first Delgado on DVD?) and PLANET
OF THE DALEKS (a DVD release seems a distance off, following the 2003
VHS release and potential rights problems for the Daleks), the tenth season could
be first to all stories re-released on DVD.
THE
GREEN DEATH eminently stands the test of time (and memory), rewarding
in its adult focus of politics, corporate greed, love and ‘what if…’
Will
stories from the forthcoming New Series be regarded as fondly (“…the
one with a space goat…”) as this.